DAE rely on zone focusing to catch those fleeting moments?

I set my aperture to f/8 and pre-focus to about 10 feet, which gives me a decent depth of field. Yesterday, I snapped a perfect shot of a vendor laughing with a customer without even raising the camera to my eye, lmao. It feels way more discreet and natural than constantly hunting for focus. The key is to anticipate where the action will happen and trust the settings.

5 comments

5 Comments

the_grant2h ago

Ditch the apps and trust your gut yet?

xena_fox395h ago

Hyperfocal distance calculations on your lens barrel can fine-tune that 10-foot preset for maximum sharpness. It turns guesswork into a precise tool for capturing those unposed interactions.

avery3053h ago

Hyperfocal distance isn't just about sharpness, it's about locking in a range where everything from a certain point to infinity is acceptably sharp. When xena_fox39 mentioned calculations on the lens barrel, it reminded me how vintage lenses often have those markings, but modern ones lack them, so you have to use apps or charts. Once you dial in that distance, you can shoot without even looking through the viewfinder, which is perfect for street photography where timing is everything. The key is to practice in different lighting conditions since depth of field changes with aperture, and that affects your hyperfocal point. It turns your camera into a tool that reacts faster than autofocus, keeping the scene natural because you're not fiddling with settings.

the_sage4h ago

At the farmer's market last weekend, I had my lens set to f/11 and pre-focused at 8 feet. It's exactly how I operate, and it lets me grab shots that would be missed with autofocus. I caught a kid chasing pigeons, completely unaware of the camera, because I was ready in that zone. Once you get the hang of anticipating movement, it becomes second nature, and the results are so much more genuine. People never even notice I'm shooting, which keeps the interactions real.

claire83615m ago

How do you adjust your pre-focus distance when shooting in tighter spaces, like crowded streets? I had a similar setup at a festival last month, but I was at f/8 with a focus point around 6 feet... it felt more forgiving for sudden movements closer to me, especially with people jostling around. I caught a vendor laughing with a customer, completely candid, because I was zoned in on that range... the moment was gone in a blink. It took a while to trust the zone instead of chimping after every shot, but now it's instinctive... you just know when someone will step into that sweet spot. The images just feel more alive when you're not hiding behind the camera... you're part of the scene. That connection to the environment is what makes street photography so rewarding for me...